Interesting comments on this topic.

Looking elsewhere, I think the vampire mythos is clearly a two-party handling of the Jewish question. I suppose initially those stories originated with us and were understood to be about Jews and their parasitic nature, but then Jews gained control of the narrative, redirected and even no doubt monetized it. It would turn out to be good for the Jews if the legitimate existential fears of poor and yet still preyed-upon peasants were focused on some other than Jewish menace, the less real the better.

Even if you only consumed White nationalist media, you would find promoted similar mythic villains today, presumably being pushed for the same reason: archons, globalists, commies, capitalists, al-Qaeda/ISIS, normies, anti-White Whites, egalitarians …

The irony here is twofold. First, the world of children’s book publishing is achingly forward thinking and politically correct. This is due, in no small part, to the pedagogical impulse among publishers of books for children, and the books that result are too often drearily and relentlessly on the side of the angels. For every Stinky Cheese Man or Captain Underpants, there are five picture books dealing with LGBT issues, immigrant sagas, racism, or even the Holocaust. Yes, there are picture books about concentration camps for children not even old enough to read.

Second, children’s book publishing is historically rife with examples of racism and prejudice. While this irony might seem at first to contradict the first one, it actually helps explain it: Over the past half century or so, children’s book publishers have labored mightily not to repeat the mistakes of their predecessors. They will be inclusive. They will be vigilant in rooting out casual or prejudiced ways of thinking. This is kid lit in full instructional mode.

It’s easy to see how they got to that point, because the troublesome thing about books is that they never completely go away. And a lot of the books with offensive material are in fact classics, so the whole industry is saddled with an ugly past that keeps breaking in on the present.

The “troublesome thing” arises as implicitly White morals (“an ugly past”) are steadily replaced with implicitly non-White morals (“the side of the angels”), first and foremost jew morals (“muh holocaust narrative”), which are inherently alien and anti-White.

The Vicious Snake – Donald Trump’s recent recounting of an Aesop fable illustrated with various video clips capturing the current invasion and rape of Europe.

The Farmer and The Snake – Fables of Aesop offers several variations on the tale, and summarizes the moral as, “The wicked show no thanks.”

A more blunt and comprehensive summary would be: The alien is inherently evil, compassion for the alien is self-destructive.

Aesop’s Fables (Article) – Ancient History Encyclopedia on the origins and connection to morality:

Written by a former Greek slave, in the late to mid-6th century BCE, Aesop’s Fables are the world’s best known collection of morality tales. The fables, numbering 725, were originally told from person-to-person as much for entertainment purposes but largely as a means for relaying or teaching a moral or lesson.

. . .

The origins of the fables pre-date the Greeks. Sumerian proverbs, written some 1,500 years before Christ, share similar characteristics and structure as the later Greek fables. The Sumerian proverbs included an animal character and often contained some practical piece of advice for living (“You should not boast; then your words will be trusted”). The writing style of both the earlier proverbs and the later fables were simple and direct. Neither contains many words. The situations re-counted in the stories begin with some type of incident and conclude with a punch line which would transform into the oft-recognized moral of the tale. It is much later that writers would begin to include the moral either at the beginning of the story (designed to tell the reader the purpose of the tale upfront) or was added to the end (to instruct the reader what the story was supposed to teach). Ultimately, the fables are designed to highlight both desired and undesirable human behaviors: what to do or what not to do.

That last sentence is key. This is the vital function the jews have hijacked and/or displaced, starting with their bible, and amplified today via mass media and academia.

William Pierce remarks on this stealthy usurpation and its consequences in Aesop’s Fables and the Rules of Engagement.