When Revolting Elites Revolt


Watch Madonna’s Insufferable 17 Minute Black & White Video About Persecution, Roger Friedman, Showbiz411:

Madonna wants to start a revolution. No one will take her seriously. So she’s made this video with photographer Steven Klein. This is what she wants to know: “If I was a black man and had an Afro would you take me seriously? If I was an Arab waving a hand grenade would you take me seriously?”

This sophomoric nonsense is the product of a 55 year old woman whose view of the world really comes from her own isolation from reality.

It’s called “secretprojectrevolution.” It’s dedicated to anyone who’s suffered persecution.

Madonna’s ‘secretprojectrevolution’ should stay hidden, Kyle Smith, New York Post:

“Economic markets are collapsing,” she intones. “People all over the world are suffering.” But the real enemy is intolerance. “I keep telling everyone I want to start a revolution, but no one is taking me seriously,” she complains, and it’s all because, “I’m a woman. I’m blond. I have t - - s, an ass and an insatiable desire to be noticed.”

Madonna Screens ‘Secretprojectrevolution’ in New York, Megan Buerger, WSJ/Speakeasy:

If shock value were currency, Madonna would be the richest woman in the world.

At last night’s premiere of her new short film, the previously top-secret “Secretprojectrevolution,” she pulled out all the stops to get her political message across: Asking everyone in the audience to sit on the floor of New York’s Gagosian Gallery, including several A-listers, she blurred the lines between pop art and interpretive dance in the name of fighting oppression and discrimination.

The 17-minute short, a black-and-white collaboration with photographer Steven Klein, is indeed disquieting. Madonna plays a jailer and a prisoner, sings an eerie rendition of “My Country, ‘Tis of Thee” and there are guns and blood and a stroller on fire (things to know before cueing it up at the office). She also serves as the narrator, issuing a call to arms for the world to join her in a “revolution of love.” In Madonna-speak, this means standing up for those who are discriminated against because of their race, gender, religion or sexuality.

STEVEN KLEIN STUDIO: #secretprojectrevolution.

Madonna and Steven Klein Foment Revolution For Art Piece, Erik Maza, Women’s Wear Daily:

In a press release days earlier Madonna said “secretprojectrevolution,” as the film is formally called, would be a “call to action and give people a place to voice their own creative expression to help fight oppression, intolerance and complacency.”

For a party, there were an awful lot of instructions from the pop star. Before the projection began, Madonna requested that everyone sit down, and so the black-and-white short film played out with everyone cross-legged on the floor, like in art class. The bar staff was instructed to stop serving or refilling wine until after the performance was over. And no one was allowed to leave until the end

From Merriam Webster:

rev·o·lu·tion noun ˌre-və-ˈlü-shən

: the usually violent attempt by many people to end the rule of one government and start a new one

: a sudden, extreme, or complete change in the way people live, work, etc.

: the action of moving around something in a path that is similar to a circle

An elite revolt against the revolting elite? Not even close. It’s the dog chasing his tail sense of the word revolution that applies here. The point of Madonna’s secretprojectrevolution is not to foment violence or change. Quite the opposite.

A more accurate name would have been projectlookatmelookatmemoreofthesame. It’s just more of the same old hypocritical moralizing against oppression, persecution, discrimination and intolerance – of “minorities”. As every member of the “minority” at the tippity-top of the judaized elite well knows by now, whether you’re a jew or not you had better be able to mouth all the right jewish platitudes. Or else.

Even well-established critics find Madonna’s performance art recasting of the well-established jewish narrative “insufferable”. Why? The message is too overt, too vague, too heavy-handed, too flip. The messenger is also at fault. She’s too privileged and prosperous, too obviously posturing and self-absorbed.

Though challenging the judaized elite or their sensibilities is probably the last thing on Madonna’s mind, her “sophmoric nonsense”, this 17-minutes of burlesque holocaustish harangue, is so absurd it might do some harm.

There’s no real need for her to supply such nonsense. The jews, their media and their puppets already provide a constant stream of authorized and offical nonsense.

Sophmoric reinterpretations and regurgitations of the jewish narrative pose a threat to the extent they broaden and thereby dilute and distort that narrative. The whole purpose of favoring “minorities” is to benefit the jewish “minority” that’s on top, pimping that narrative. Thus Madonna, so celebrated for vulgarizing all things goyishe, becomes “insufferable” in this case exactly because she’s vulgarizing something so ineffably jewish.

9 thoughts on “When Revolting Elites Revolt”

  1. Oh look she even stole Ron Paul’s backward ‘love’ in the word revolution. Not only that she’s aware of how desperately in need of attention she is, how ‘ironic’ and ‘edgy’ of her.

  2. My first comment to this fine blog is, let her at it!

    In all her has-been non-glory, Madonna is toxic to whatever and whoever she touches. Give her the “right” cause and let her run it into the ground. She single-handedly killed high-toned eroticism in the 90s, let her bring down some bigger game now.

    She’s entered her baffoonish late Benito Mussolini phase where even custom-made uniforms and staged political events are backfiring on cue. Benito had male middle-aged crazies to excuse his goofiness, Madonna hasn’t got a thing.

    Next, run her for president. A step down for her. A marginal step up for the office of POTUS.

  3. She once wrote a children’s book. Forgot the title. I think of the percentage of parent who actually bought a scary thing indeed.

    I’ve read she’s a mind controlled slave of the Illuminati, explaining all of the mindless drivel she chants. Is there any truth in it? Do the users to this blog believe in that sort of thing?

  4. “But the real enemy is intolerance.” Madonna

    Madonna won’t name the real enemy, jews, because she is one and owes her great fame and fortune to them. Her secretprojectrevolution is the standard jooish call-to-arms of non-white “oppressed” “minorities” against Whites. Bolshevik revolution 2.0.

    Madonna, the “wannabe” jew.

    Madonna is a long-time student and financial supporter of jewish kabala and a “convert” to Judaism.

    I put convert in quotes because I suspect Madonna was always a jew, an Italian converso or crypto jew who has returned to her judaic roots. It’s the only thing that can explain why Madonna, who is no great talent, was selected by jews who run the entertainment industry to be the idol of the “wannabe” girl cult of the 90s.

    Even Elvis, the so-called King, was a crytpo jew.

  5. To the Anon above,

    Yes I’ve had ambivalent belief that Elvis’s DNA contained Jewish roots. I think he inherited it from his mother, correct?

  6. It’s good for the jews, I guess, if an ethnic jew attains great fame or fortune, but IMHO snivelling jews benefit financially whether a performer is a jew or not. Anyone who attains great fame and fortune is literally surrounded by jews feeding off their financial success. In fact, without the consent of jews who control the entertainment industry, there will be no success no matter how talented an individual may be. And unfortunately, this phenomina of jews parasiting off the special talents of others is also true in almost any industry/profession you can think of.

  7. Thus Madonna, so celebrated for vulgarizing all things goyishe, becomes “insufferable” in this case exactly because she’s vulgarizing something so ineffably jewish.

    Great punch line.

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