Tag Archives: media

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Flames of War, A Very Jewy Production

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flames_of_war_a_very_jewy_production

Islamic State Issues Video Challenge to Obama, Jew York Times, 17 September 2014:

In one of the Islamic State’s first responses to President Obama’s declaration that he would “degrade and ultimately destroy” it, the group released a short video late Tuesday in which it appeared to say that its militants would kill American ground forces should President Obama deploy them.

The clip is only 52 seconds long and is billed as a preview for a longer video. With slow-motion replay, quick edits and high-quality video images, it looks like a Hollywood trailer.

In the background, Mr. Obama is heard saying, “American combat troops will not be returning to fight in Iraq.” The screen goes dark, followed by a clip of what appears to be a militant for the group who is preparing to kill men on their knees.

The words “Flames of War” appear, with the phrase “Fighting has just begun” below. It ends: “Coming Soon.”

YouTube has already removed the video, perhaps for violating some Hollywood copyright.

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Takes a Kicking and Keeps on Licking

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Mel Gibson’s Career — Why He Deserves Another Chance In Hollywood, by Allison Hope Weiner, Deadline|Hollywood, 11 March 2014:

As a journalist who vilified Gibson in The New York Times and Entertainment Weekly until my coverage allowed me to get to know him, I want to make the case here that it is time for those Hollywood agencies and studios to end their quiet blacklisting of Mel Gibson. Once Hollywood’s biggest movie star whose film Braveheart won five Oscars and whose collective box office totals $3.6 billion, Gibson hasn’t been directly employed by a studio since Passion Of The Christ was released in 2004.

For those who are skeptical, I understand. For the longest time, I disliked Gibson and thought he was a Holocaust-denier, homophobic, misogynistic, racist drunk. I wrote as much in articles for EW and the NY Times. And whenever I wrote about him, I would get irate calls from his representatives saying I didn’t know him.

It developed into something that felt like friendship, which doesn’t often happen with investigative journalists and the subjects they cover. Odder still was that it happened with a man disdained by my colleagues, friends and my family, who, like me, are observant Jews. At this point, Gibson’s career had gone all kinds of wrong, starting with that 2006 DUI arrest, when he told that cop that “the Jews are responsible for all the wars in the world.” Four years later, he sounded positively unhinged and racist in surreptitious recordings of an angry phone exchange between Gibson and ex-girlfriend Oksana Grigorieva — the mother of his infant daughter. The whole world heard him shout abusively at her and make racist remarks.

Since then, I’ve gotten to know Gibson extremely well. I thought it would be difficult for him to have a friend in the media, but he has been surprisingly honest and trusting. As a lawyer-turned-reporter, I have no problem asking tough questions, even of friends. Gibson never wavered or equivocated when I confronted him, whether the subject was his drinking, his politics, his religion or his relationships with women. It soon became clear that my early journalistic assessment of him wasn’t right.

This crystallized when we met each other’s families. It was hard to blame his family for being skeptical of a journalist, but the issues with my own family were more challenging. Gibson asked to meet them at my son’s bar mitzvah celebration. Imagine the scene: A room filled with Jews. In walks the person who, in their minds, might be the most notorious anti-Semite in America. Gibson attended alone and I can only imagine what was going through his head when he walked into the party.

Before the evening was over, he was chatting with many of my relatives, who saw a funny, kind, charming guy and not the demon they’d read about. Gutsier still, he attended our Yom Kippur break fast dinner. Anyone who has attended such a gathering knows there is nothing more imposing than making friends in a room full of Jews who haven’t eaten in 24 hours.

I’ve discussed the Holocaust with Gibson and whether his views differed from those of his father. Just as he refused to condemn his father in that TV interview with Diane Sawyer, Gibson refused to discuss his dad with me. Similar to what he told Sawyer, Gibson told me that he believed that 6 million Jews were murdered in the Holocaust. “Do I believe that there were concentration camps where defenseless and innocent Jews died cruelly under the Nazi regime? Of course I do; absolutely,” he told Sawyer. “It was an atrocity of monumental proportion.” In our conversations, I took that a step further. Why, I asked him “did you say those things about the Jews starting all the wars? Where did those unkind things come from?” Gibson thought for a moment, then answered that he’d been terribly hurt by the very personal criticism of him from the Jewish community over The Passion Of The Christ. He said that while he’d been criticized for films before, this was personal and cruel. He said that when he drinks, he can be a mean drunk and “Stuff comes out in a distorted manner…” His own faith led him to make his version of Christ’s story, and he found himself being attacked for making a film that might get Jews killed, and that he was insensitive that his depiction of Jews as Christ’s killer could inflame religious tensions. He was called names by numerous Jewish leaders and a few people literally spat on him. “The criticism was still eating at me,” he told me. “This was a different kind of hammering. A very personal attack.”

Based on my exchanges with Gibson and my own reporting on his transgressions, I’ve stopped doubting him. He worked in Hollywood for 30 years without a single report he was anti-Semitic.

In his second apology on the anti-Semitic statements, Gibson promised to reach out to Jewish leaders. Gibson followed up by meeting with a wide variety of them. He gave me their names when I asked, but Gibson asked me not to publish them because he didn’t want them dragged into public controversy or worse, think he was using them. The meetings were not some photo op to him, he told me, but rather his desire to understand Judaism and personally apologize for the unkind things he said. He has learned much about the Jewish religion, befriending a number of Rabbis and attending his share of Shabbat dinners, Passover Seders and Rosh Hashanah and Yom Kippur dinners. I believe that effort, along with our conversations, helped him understand why Jewish people reacted as they did to The Passion Of The Christ and why there was Jewish support for the Second Vatican Council. Gibson has quietly donated millions to charitable Jewish causes, in keeping with one of the highest forms of Tzedakah in the Jewish faith, giving when the recipient doesn’t know your identity.

Gibson went well beyond a mea culpa tour. He came out of that experience determined to film the Jewish version of Braveheart. He set at Warner Bros a film about Judah Maccabee, who with his father and four brothers led the Jewish revolt against the Greek-Syrian armies that had conquered Judea in the second century B.C. That seminal story is celebrated by Jews all over the world through Hanukkah, the Festival of Lights.

While talent including director Roman Polanski (drugged and sodomized a minor, and fled), Mike Tyson (rape conviction), Chris Brown (beat up ex-girlfriend Rihanna), T.I. (weapons charge), and many others are repped by major agencies, no agency has touched Gibson since Emanuel discharged him as a WME client after those tapes surfaced and he used the “N” word. Gibson has been shunned not for doing anything criminal; his greatest offenses amount to use of harsh language.

Weiner knows that Gibson’s “greatest offense” isn’t “harsh language” aimed at women or blacks, and they aren’t responsible for his “quiet blacklisting”. Weiner identifies herself as a jew and dedicates the bulk of her words to Gibson vis-a-vis jews exactly because she understands that it is jews who have not-so-quietly blacklisted him.

The demonization and blacklisting of Gibson is a reminder that in jew-run Hollywood, talent, popularity and profitability aren’t the primary considerations – jewish sensibilities are. And Gibson will continue to be blacklisted as long as jews collectively regard him as “the most notorious ‘anti-semite’ in America”. Weiner’s explicit appeal to jews, to attempt to convince them otherwise, only calls attention to their power.

Weiner describes Gibson’s grovelling, trying to please and befriend the jews who despise him, as “gutsy”. Yet it is quite the opposite. Even Weiner’s own version of Gibson’s story comes across as serial gutlessness: Lashing out in drunken rage, Gibson bit the hand that fed him, and ever since has been licking the boot that kicks him. Weiner’s suggestion that Gibson’s problem is alcohol, or anger, or both, is also disingenuous. Though he has far more fame and fortune than most of the rest of his race, he has the same main problem. The jewish problem. He could fund and direct some wonderful films about that, but instead gives his love and money to the enemy. Whether such pathological behavior is fueled by Christian beliefs, greed, ambition, or even alcohol – it certainly isn’t guts.

As usual, the jews have tried to make themselves out as the ones who have been harmed. And as usual, this serves to distract from the harm they have done to others. In this case, their handwringing about whether Mel Gibson is or isn’t good for the jews is a distraction from the monstrous harm done by the lies, filth and poison delivered by the judaized media.

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What’s Flipping Yid Lids Today: Tila Tequila

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“Crazy asian slut? Wonderful! Fantastic! Brilliant! Edgy! Shocking! Put her on television! Make her a porn star! BWAHAHAHAHA, take that Puritans!”

“Oh wait, she’s a Hitler fan? How insulting! I’m offended! This is intolerable! She needs to be locked up in a mental hospital!”

Tila Nguyen‘s latest turn in look-at-me antics immediately captured the attention of the jewiest portions of the jewsmedia. Their usual irreverent snark muted, what came out instead was scandal and bemusement, anger and betrayal. “How dare this otherwise upstanding member of two (three? four?) oppressed classes be so careless and uppity?”

Tablet Magazine: Tila Tequila, Convert to Judaism, Poses as Sexy Hitler Atop Auschwitz

Animal: Tila Tequila’s Descent Into Nazism, Parallel Universes, and Reptilian Illuminati Warriors

Jezebel: Tila Tequila Is a Nazi Sympathizer Who Calls Herself ‘Hitila’

Hollywood Life: Tila Tequila In Nazi Uniform — Former Reality Star Rants About Nazism

Esquire: Wait, Hold On: Tila Tequila is a Neo-Nazi Now?

Of course, the jewsmedia being the jewsmedia, the shenanigans of even Z-list celebrities is BIG NEWS when it confounds the jews. Thus Tila Tequila’s transgressions against jewish sensibilities have not remained confined to celebrity-gawking cesspits, but has instead been elevated into a bona-fide mediacaust.

Business Insider: Tila Tequila Is A Nazi

International Business Times: Tila Tequila Ignites Twitter After Nazi Sympathizer’s Blog Defends Adolf Hilter

NY Daily News: Tila Tequila wears Nazi uniform, calls Hitler a ‘sweet kid’ in shocking Facebook rant

According to the News, Tila felt mocked and rejected when she tried to convert to judaism. This only adds to the case that this woman – from her fame to her infamy – is a product of judaization. It’s hard to fault the goyim for not understanding that the jews are jews and the goyim are goyim – after all, you don’t get anything but double-talk about it from the jewsmedia. Though the jews themselves are well aware of such distinctions (and indeed Tequila is an example of the tribe’s aphorism that a “philo-semite” is just an “anti-semite” who doesn’t know it yet), they’re also keen to stick to their age-old canard that jewishness is all about religious beliefs and that jews are always blameless victims. Thus Tila Tequila must be anybody’s fault but theirs.

Where will this go? Nowhere. And then quickly down the memory hole.

Going forward, as jews increasingly shift their attention toward new hosts, the “minority” coalition, being jew-led, is sure to be increasingly rocked by jew-centric controversies of this sort. During the awkward transition phase, professional jews like Brian Levin, whose job description is literally director of “hate” and “extremism”, is thinking it best to see it as a joke, a gift to sinecured jews like himself. Will the other “minorities” go for that? Does it matter?

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White Privilege and Jewish Power

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For more than a year the jewsmedia has been trying to turn the shooting of a black nobody by a mestizo nobody into an indictment of White “racism” and “privilege”. Meanwhile the top two candidates to replace Ben Shalom Bernanke as head of the Federal Reserve are Larry Summers and Janet Yellen. All three are jews, but you won’t hear anything critical of that in the jewsmedia.

The jewish paper of record provides a typical example of how the jewsmedia goes about ignoring the jewish elephant in the room. The Battle for the Fed and In Tug of War Over New Fed Leader, Some Gender Undertones spin the struggle for power between two jew-dominated factions into a story about men versus women. Though “diversity” usually means less White, in this case it means less male.

Knowing how often jews are conflated and confused with Whites, I searched out commentary on Janet Yellen white privilege. Remarkably, I found only one article that put these four words together on the same page. Progressive Reading List at Winning Progressive calls Yellen “the best candidate to chair the Federal Reserve”, and in a separate item links The Privilege of Whiteness, describing it as:

an essay on the privilege that we place on whiteness in our society by treating white people as individuals while people of other races are racially profiled far too often.

The anti-White essay is by Paul Waldman. Another jew. These days just about anything serves as a pretext for anyone in the jewsmedia to decry White “racism” and “privilege” – it has become the new normal. The same critics don’t have anything to say about White “privilege”, much less jewish dominance, at a prominent and preeminent seat of financial and political power.

Empirically, jews are regarded as distinct from Whites. Jews like David Sirota, Tim Wise and Paul Waldman may pretend they are “white” because it helps enable their White bashing, and too many Whites are willing to go along with the charade. But the fact is that in the jew-dominated mainstream media and academia it is Whites who are most consistently criticized as a group. To the extent Whiteness is a “default setting”, as jews like Waldman argue, it is as the target for blame. Beside Sirota, Wise and Waldman, the most vile and blatant examples of anti-White invective come from jews like Susan Sontag (“the White race is the cancer of history”) and Noel Ignatiev (“the key to solving the social problems of our age is to abolish the White race”). Why? Because jews as a group regard themselves not only as distinct from the White race, but at odds with it. Those who speak most stridently against Whites are not “self-hating” Whites, or even White-hating Whites – they are jews doing what they think is best for jews.

Constant complaints about White “racism” and “privilege” serve to distract attention away from jewish power. There are no complaints about White “privilege” at the Fed because it would call attention to jewish power. Those who hold power in the anti-White regime are either jews, in bed (literally or figuratively) with the jews, and/or are afraid of what will happen to them if they oppose the jews. They may complain about Whites. They may even pretend jews are “white”. But they will not abide complaints about jews. This is an indication not only of the power jews have, but the duplicitous and toxic nature of that power.

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Segan and O’Hehir’s Big Damning White Problems

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Google Glass’s White Male Problem, PCMag.com, by Sascha Segan, 1 May 2013:

Does anyone who isn’t a white man have Google Glass?

This is starting to get disturbing. Since Google Glass demo units started appearing a few weeks ago, proud Google Glass users have been spewing selfies all over the Internet. And except for the hired help in Google’s demo videos, every single Google Glass owner I’ve heard a word from appears to be a middle-aged white male, usually with some receding hairline action going on there. There’s even a Tumblr devoted to the phenomenon.

This is a big problem.

I say this as a middle-aged white man with extremely little hair. Google Glass is just breaking out of the dream stage, and our society is grappling with these wearable items: what they do, how to use them, and how we shouldn’t use them. People who aren’t white, middle-aged males need to be part of that conversation, but I don’t see that happening right now with Glass.

People from non-Western-European-descended, non-male gender and ethnic groups have different perspectives on technology and society that could help shape Google Glass and how it’s used.

For Segan Whites are “disturbing”, a “big problem”. Why? Because he sees Whites as distinct and different from non-Whites – a fact which Segan and PC Magazine willingly acknowledge, at least so long as it serves an argument in favor of non-Whites.

One of the reasons I so love reporting on mobile technology is that it’s tremendously egalitarian, and it crosses all gender, ethnic, and class lines. My peer group of mobile tech writers is whiter and maler than America as a whole, but it isn’t the complete white-out we’re seeing with Google Glass early adopters.

So Segan likes pretending everyone is equal and dislikes when reality confounds his fantasy. His “peer group”, however White, either shares his White-abnegating attitude or is unwilling to challenge it.

Google Glass, and wearables in general can change our society. That includes everyone. Being the vanguard of a major new product category, with so many possible societal ripples, makes Glass more important than a typical game or website whose usage naturally skews to one ethnic or gender group.

If the direction of this societal change is being determined entirely by a socially homogenous group of guys (no matter how hard they try), it’s going to be a less useful technology for that.

Who is “us”? Who comprises this society of “ours” that Segan thinks “we” should be so worried about? Who is this homogenous group determining the direction of societal change?

The prevailing wisdom of the current anti-White regime is that race is “entirely a social and political construct”. Yet somehow Segan is able to judge who is “white” just by looking at faces.

Based on his face – as well as his name and his anti-White attitude – I think Sascha Segan is a jew. I think a large fraction of the men in the Tumblr he links look like jews. I say this as a White man who recognizes that jews are different from Whites.

Even setting aside biological differences, Segan’s own line of argument suffices to make the point. Jews have a completely different perspective than Whites do. On the one hand, jews see jews as distinct from Whites, with jews as victims and Whites as their oppressors. On the other hand, Whites see jews as victims and also mistake them for “white”. It’s no mystery why so many Whites make this mistake. Jews constantly espouse these jewish perspectives at the same time they pathologize and demonize Whites for expressing any kind of White perspective.

In this case the difference between Whites and jews is even more glaring than usual. Segan is specifically blaming “whites” for a phenomena that is in fact even more markedly jewish. Would Segan have written an article about the disturbing big problem that too many Google Glass wearers are jews? Would PC Magazine have published it?

On Tuesday I talked about another example of this White problem meme I had recently run across. The Oscars’ old, white, male problem, Salon.com, by Andrew O’Hehir, 21 Feb 2012:

On one hand, the evidence dredged up by an extensive Los Angeles Times investigation into the membership of the Academy of Motion Picture Arts and Sciences is damning: The Oscars are being decided by 5,765 voting members (itself a smaller number than usually reported) who are 94 percent white.

O’Hehir is another jewish-looking, jewish-sounding anti-White critic. To him an organization being 94 percent White is not only a “problem”, it’s “damning”. Unlike Segan, O’Hehir doesn’t even try to explain why. An anti-White attitude is simply taken for granted at Salon.

Now, it’s also true that my reaction to all this diligent legwork by a team of at least seven Times reporters can be summarized with a colloquial phrase that begins with “No” and ends with “Sherlock.” No one who has paid attention to the Oscars or the Academy — or the American film industry at large — harbors any illusions about who’s running the show, or believes that Oscar voters have much in common with Americans or moviegoers at large. Indeed, the borderline-cruel caricature of a typical Oscar voter, often bandied about in private by journalists and publicists, is of a 70-something retired actor, certainly white and probably Jewish, who wears sky-blue slacks and white patent leather shoes and lives in Brentwood or Beverly Hills. That seems to be almost exactly what the Times investigation has revealed.

My emphasis.

Whereas Segan ignored jews while he was blaming Whites, O’Hehir actually calls attention to what he’s doing. He conflates Whites and jews, while in the same paragraph he acknowledges that he and anyone else who’s paying attention can see there’s a clear distinction.

For O’Hehir, like Segan, the problem is a certain concentration of “white” faces. How many have to identify positively as White to be a problem? It doesn’t matter. The problem is “white”.

It’s worth noting, by the way, that the Times pointedly did not inquire into the religious or ethnic affiliations of the Academy’s white members. I can’t deny being curious about the question of how Jewish the Academy is these days, and you might be able to construct a non-offensive argument for why that’s relevant information. But it’s information that ugly people would use for ugly reasons, and you can’t blame the reporters and editors involved for not jabbing a stick into that particular hornets’ nest.

It’s worth noting that O’Hehir explictly describes how different jews are from Whites. Counting and calling “whites” a problem is relevant and non-offensive. It’s something O’Hehir does and Salon enables. Counting jews, on the other hand, is offensive, irrelevant and ugly. These are two totally different kinds of problem. If they look “white”, “white” is the problem. Noticing jews makes them swarm and cause you problems.

One response is to say “so what,” as some people do in the Times piece. The Academy is a private membership organization, which is devoted to burnishing the image of the film industry and has never claimed to represent the public at large. It can give out awards however it wants, and people aren’t required to watch.

Once again, this only highlights the difference between jews and Whites. When someone in the jewsmedia calls out a so-called White problem they don’t lose their job. Instead Whites are expected to get busy increasing diversity, which means in effect to make whatever is being criticized less White. Even a passive “so what” is regarded as confirmation of the supposed problem. It’s a moot point because there isn’t a White left in the jewsmedia who would even dare say “so what”, never mind point out that jews aren’t White.

In contrast, “so what” is a typically jewish response to a criticism like this, and it is deployed in a decidedly aggressive manner. Regarding Hollywood, for example, Ben Stein and Michael Medved expressed this attitude. Both made the same basic argument: Yes, jews run Hollywood, and if you think that’s a problem then you’re the problem.

Jews take this hostile attitude toward criticism specifically because they are acutely aware of and attached to their jewishness. They voice their hostility toward Whites specifically because they don’t identify as White. This is a problem for Whites.